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Christian Boltanski (France 1944) -"Migrantes" in Museo Hotel de Inmigrantes in Buenos Aires, photo Ingrid Roddick, 2012:

christian boltanski - migrantes in Museo Hotel de Inmigrantes in Buenos Aires, photo Ingrid Roddick, 2012

Installation by Sue Law | http://inagblog.com/2016/08/next-artists-guide-12/ | #art #installation

'The Life and Death of a Relationship' Sue Law. This life sized bed, Plaster, Blankets, Sheets, Wood.

Boltansky : ''I have never used bronze or marble in my works, but always ephemeral materials that require some sort of emotional care, because works of art have to do more with emotions than materiality, thanks to the gaze that rests upon them.  In Italy I created a memorial about a plane flying to Palermo. It was a sound installation. Eighty people died in this air crash, and I imagined the last thought of each of them : “I hope mum cooked something good”, or “I hope my cousin is doing…

Boltansky : ''I have never used bronze or marble in my works, but always ephemeral materials that require some sort of emotional care, because works of art have to do more with emotions than materiality, thanks to the gaze that rests upon them. In Italy I created a memorial about a plane flying to Palermo. It was a sound installation. Eighty people died in this air crash, and I imagined the last thought of each of them : “I hope mum cooked something good”, or “I hope my cousin is doing…

Italian workers used an art installation to protest the immense number of job losses in the construction sector. 10,000 yellow helmets were placed in front of Milan’s stock exchange as workers, laborers, clerks, surveyors, architects and real estate agents made a statement on their ‘la giornata della collera’ – ‘the day of anger’.

Labor Day installation in Milan. Italian workers used an art installation to protest the immense number of job losses. yellow helmets were placed in front of Milan’s stock exchange on their "day of anger"

Christian Boltanski - Faire-part, 2015, Marian Goodman Gallery, Paris

Christian Boltanski - Faire-part, Marian Goodman Gallery, Paris

Christian Boltanski | Critique | Après | Vitry-sur-Seine. Mac/Val

Après, Christian Boltanski, Mac/Val, un monde labyrinthique

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