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Grandolina Arte: Rogier Van der Weyden. (Bélgica 1399-1464) Pintor flamenco

Grandolina Arte: Rogier Van der Weyden. (Bélgica 1399-1464) Pintor flamenco

INSPIRATION

INSPIRATION

Рогир ван дер Вейден. Читающая Мария Магдалина. 1445

Рогир ван дер Вейден. Читающая Мария Магдалина. 1445

Master of Frankfurt (1460-ca 1533), St. Catherine, oil on panel. (Flemish Renaissance)

and even more mcnay

Master of Frankfurt (1460-ca 1533), St. Catherine, oil on panel. (Flemish Renaissance)

Weyden, Rogier van der (1400-1464) Seven Sacraments Altarpiece (detail) Date: 1445-50

Weyden, Rogier van der (1400-1464) Seven Sacraments Altarpiece (detail) Date: 1445-50

❤ - JAN VAN EYCK (1395-1441) - The Madonna with Canon van der Paele, detail - 1436. Groeningemuseum, Bruges, Belgium.

❤ - JAN VAN EYCK (1395-1441) - The Madonna with Canon van der Paele, detail - 1436. Groeningemuseum, Bruges, Belgium.

WEYDEN, Rogier van der  Netherlandish Northern Renaissance (ca.1400-1464)_Deposition [detail 1]

WEYDEN, Rogier van der Netherlandish Northern Renaissance (ca.1400-1464)_Deposition [detail 1]

Blue gown, front fastened- black trim with mink lining on the big turned back sleeves, over a tawny kirtle.

Blue gown, front fastened- black trim with mink lining on the big turned back sleeves, over a tawny kirtle.

Elizabeth Amadas (died 1532) was a lady at the royal court of King Henry VIII of England who was accused of treason. She had described Anne Boleyn as a harlot, and said that she should be burnt. She also said that the King, by setting aside Katherine of Aragon for a younger woman, was encouraging the men of England to do the same. She later was released but didn´t recover her position at court. She was also the target of the Kings relentless advances, but never stated if she gave in.

Elizabeth Amadas (died 1532) was a lady at the royal court of King Henry VIII of England who was accused of treason. She had described Anne Boleyn as a harlot, and said that she should be burnt. She also said that the King, by setting aside Katherine of Aragon for a younger woman, was encouraging the men of England to do the same. She later was released but didn´t recover her position at court. She was also the target of the Kings relentless advances, but never stated if she gave in.

Polyptyque de l'agneau mystique, 1432, Van Eyck

Polyptyque de l'agneau mystique, 1432, Van Eyck

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