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Jobs for girls & women If you want a good job in household employment apply at - or write to Illinois State Employment Service.

Jobs for girls & women If you want a good job in household employment apply at - or write to Illinois State Employment Service. Bender, Albert M. between 1936 and 1941

DWB - 5 aprile - 7 maggio 1911

DWB - 5 aprile - 7 maggio 1911

CHMIELEWSKI: Karin corka Mansa

Polish Poster by W. Chmielewski, "Karin Mansdotter", Swedish movie directed by Alf Sjoberg.

A poster for the Illinois WPA Safety Division promoting safety in the workplace, c. 1937: 'To-day is another day. Make it safe!'

To-day is another day

A poster for the Illinois WPA Safety Division promoting safety in the workplace, c. Make it safe!

Karl Ludwig Straub (German, 1900–1997) Werkbund Ausstellung, Die Wohnung 1927. Offset lithograph. 59.4 x 42.2 cm). MoMA Deutsche Werkbund, helped position Germany at the forefront of the development of the rational kitchen. An international exhibition organized under its auspices in 1927 took the form of a modern housing estate, exemplifying an admiration for scientific rationale and efficiency. Architects collaborated with home-economics expert Erna Meyer on the design of many of the…

Stuttgart-Weißenhof, Modern architecture comes into its own

The Boys Who Cried Wolf

Korean movies opening today in Korea: 'The Boys Who Cried Wolf', 'Bad Sister', and 'Red: A Dangerous Seduction'.

deutscher werkbund (1907 - 1935)

MOMA - Wohnung und Werkraum (Dwelling and Workplace) Johannes Molzahn (German,

Top Notch - free font | via Emmadime

Head over to Emmadime and check out the newest Top-Notch Type — this week, I made a fictitious logo to show off this free killer font.

Standardization, objectivity, and impersonal form characterized modernist architecture, interiors, and graphic design. For the exhibition Wohnung und Werkraum (Living and work space) in Breslau, Molzahn designed an integrated campaign in which different types of printed matter–posters, brochures, letterheads, labels, stamps–affirmed the overriding identity of the event.

Standardization, objectivity, and impersonal form characterized modernist architecture, interiors, and graphic design. For the exhibition Wohnung und Werkraum (Living and work space) in Breslau, Molzahn designed an integrated campaign in which different types of printed matter–posters, brochures, letterheads, labels, stamps–affirmed the overriding identity of the event.

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