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Study of a young woman and a boy; whole-length standing to left, the woman wearing a russet-coloured apron over a print dress, a cap on her head, her hands resting on the shoulders of a young boy in jacket, striped waistcoat, and breeches James Ward

the woman wearing an apron over a print dress, and a cap on her head with a young boy in a jacket, striped waistcoat, and breeches (British Museum)

An ink seller, seen from behind with barrel on his back and a bunch of quills in his right hand;  reworked and published after c.1750  Etching and engraving

An ink seller, seen from behind with barrel on his back and a bunch of quills in his right hand; reworked and published after Etching and engraving

"Woman Churning Butter", by William Henry Pyne, published by Williams Miller, British, 1808.

"Woman Churning Butter", by William Henry Pyne, published by Williams Miller, British,

Recueil des modes de la cour de France, 'Le Fendeur de Bois' | LACMA Collections

French Fashion plate "Recueil des modes de la cour de France, 'Le Fendeur de Bois'" at the Los Angeles County Museum of Art, Los Angeles

Amsterdamse kooplieden, Jan Anthonie Langendijk Dzn, 1816 - Rijksmuseum

Amsterdamse kooplieden, Jan Anthonie Langendijk Dzn, 1816 - Rijksmuseum

French, 1822. British Museum, nr. 1948,0217.43

This painting helps represent the relationship between Wickham and Lydia soon after the honeymoon phase.

John Augustus Atkinson, 1775–1831, A Milkmaid, undated, Pen and brown ink, watercolor and graphite on moderately thick, slightly textured, beige wove paper, Yale Center for British Art, Paul Mellon Collection recto

A Milkmaid, by John Augustus Atkinson undated, Yale Center for British Art, Paul Mellon Collection

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