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An interesting asymmetric demi-neglige from "Costume Parisien", reprint from "Fashions of London and Paris", date July 1800 (the original fashion plate from "Costume Parisien" is an 8, so 1799). The pelisse and the cap are made of cotton satin with linen lining trimmed with silk, the pelisse has "en fourreau" back, the cap is completed with a veil of embroidered cotton tulle.

An interesting asymmetric demi-neglige from "Costume Parisien", reprint from "Fashions of London and Paris", date July 1800 (the original fashion plate from "Costume Parisien" is an 8, so 1799). The pelisse and the cap are made of cotton satin with linen lining trimmed with silk, the pelisse has "en fourreau" back, the cap is completed with a veil of embroidered cotton tulle.

An interesting asymmetric demi-neglige from "Costume Parisien", reprint from "Fashions of London and Paris", date July 1800 (the original fashion plate from "Costume Parisien" is an 8, so 1799). The pelisse and the cap are made of cotton satin with linen lining trimmed with silk, the pelisse has "en fourreau" back, the cap is completed with a veil of embroidered cotton tulle.

An interesting asymmetric demi-neglige from "Costume Parisien", reprint from "Fashions of London and Paris", date July 1800 (the original fashion plate from "Costume Parisien" is an 8, so 1799). The pelisse and the cap are made of cotton satin with linen lining trimmed with silk, the pelisse has "en fourreau" back, the cap is completed with a veil of embroidered cotton tulle.

An interesting asymmetric demi-neglige from "Costume Parisien", reprint from "Fashions of London and Paris", date July 1800 (the original fashion plate from "Costume Parisien" is an 8, so 1799). The pelisse and the cap are made of cotton satin with linen lining trimmed with silk, the pelisse has "en fourreau" back, the cap is completed with a veil of embroidered cotton tulle.

An interesting asymmetric demi-neglige from "Costume Parisien", reprint from "Fashions of London and Paris", date July 1800 (the original fashion plate from "Costume Parisien" is an 8, so 1799). The pelisse and the cap are made of cotton satin with linen lining trimmed with silk, the pelisse has "en fourreau" back, the cap is completed with a veil of embroidered cotton tulle.

American Cotton Dress, circa 1804-14.   Check out the geo print! Regency fashions do not have to be bland.

Something Other Than White: Colorful Regency Fashions 1800-1820

An interesting asymmetric demi-neglige from "Costume Parisien", reprint from "Fashions of London and Paris", date July 1800 (the original fashion plate from "Costume Parisien" is an 8, so 1799). The pelisse and the cap are made of cotton satin with linen lining trimmed with silk, the pelisse has "en fourreau" back, the cap is completed with a veil of embroidered cotton tulle.

An interesting asymmetric demi-neglige from "Costume Parisien", reprint from "Fashions of London and Paris", date July 1800 (the original fashion plate from "Costume Parisien" is an 8, so 1799). The pelisse and the cap are made of cotton satin with linen lining trimmed with silk, the pelisse has "en fourreau" back, the cap is completed with a veil of embroidered cotton tulle.

An interesting asymmetric demi-neglige from "Costume Parisien", reprint from "Fashions of London and Paris", date July 1800 (the original fashion plate from "Costume Parisien" is an 8, so 1799). The pelisse and the cap are made of cotton satin with linen lining trimmed with silk, the pelisse has "en fourreau" back, the cap is completed with a veil of embroidered cotton tulle.

An interesting asymmetric demi-neglige from "Costume Parisien", reprint from "Fashions of London and Paris", date July 1800 (the original fashion plate from "Costume Parisien" is an 8, so 1799). The pelisse and the cap are made of cotton satin with linen lining trimmed with silk, the pelisse has "en fourreau" back, the cap is completed with a veil of embroidered cotton tulle.

An interesting asymmetric demi-neglige from "Costume Parisien", reprint from "Fashions of London and Paris", date July 1800 (the original fashion plate from "Costume Parisien" is an 8, so 1799). The pelisse and the cap are made of cotton satin with linen lining trimmed with silk, the pelisse has "en fourreau" back, the cap is completed with a veil of embroidered cotton tulle.

An interesting asymmetric demi-neglige from "Costume Parisien", reprint from "Fashions of London and Paris", date July 1800 (the original fashion plate from "Costume Parisien" is an 8, so 1799). The pelisse and the cap are made of cotton satin with linen lining trimmed with silk, the pelisse has "en fourreau" back, the cap is completed with a veil of embroidered cotton tulle.

Early 19thC women's silk/satin ruched hat

Circa 1818 silk Hat, (part of a visiting ensemble), American. In The Metropolitan Museum of Art collection.

An interesting asymmetric demi-neglige from "Costume Parisien", reprint from "Fashions of London and Paris", date July 1800 (the original fashion plate from "Costume Parisien" is an 8, so 1799). The pelisse and the cap are made of cotton satin with linen lining trimmed with silk, the pelisse has "en fourreau" back, the cap is completed with a veil of embroidered cotton tulle.

An interesting asymmetric demi-neglige from "Costume Parisien", reprint from "Fashions of London and Paris", date July 1800 (the original fashion plate from "Costume Parisien" is an 8, so 1799). The pelisse and the cap are made of cotton satin with linen lining trimmed with silk, the pelisse has "en fourreau" back, the cap is completed with a veil of embroidered cotton tulle.

Pink silk spencer with front opening and turn down collar, applied decoration of pink satin rouleaux loops with 5 rouleaux strips at wrist and 2 rows at lower edge, collar piped in silk, 3 layers of `leaf' decoration on epaulettes over straight sleeves; c.1815. Chertsey Museum

Pink silk spencer with front opening and turn down collar, applied decoration of pink satin rouleaux loops with 5 rouleaux strips at wrist and 2 rows at lower edge, collar piped in silk, 3 layers of `leaf' decoration on epaulettes over straight sleeves;

A regency apron front dress made according to the fashion plate from "Costume Parisien" ("Journal des dames et des modes"), an 9 (1800) completed with a silk sleeveless spencer embroidered with chanille and spangles. The shape of the spencer is inspired with the Empress Josephine bodice.

A regency apron front dress made according to the fashion plate from "Costume Parisien" ("Journal des dames et des modes"), an 9 (1800) completed with a silk sleeveless spencer embroidered with chanille and spangles. The shape of the spencer is inspired with the Empress Josephine bodice.

A cotton muslin round gown made according to the fashion plate, Gallery of Fashion, November 1795. The dress is made according to the extant embroidered muslin round gown, c. 1795 in the Kyoto Costume Institute, is embroidered with color silks and spangles and is completed with a silk satin hat. All is hand sewn.

A cotton muslin round gown made according to the fashion plate, Gallery of Fashion, November 1795. The dress is made according to the extant embroidered muslin round gown, c. 1795 in the Kyoto Costume Institute, is embroidered with color silks and spangles and is completed with a silk satin hat. All is hand sewn.

Regency gown - pale blue

Pattern Research

This is an original gown from the early Regency, accented with a delicate tulle overlay and featuring slim sleeves. I believe the original garment is in the Kyoto Museum collection. *Would need different sleeves.

The bib front dress made according to the extant dark green flowered gown dated to 1795-1800 (Museum of London), but it is made of a softer fabric (cotton muslin) with different color. Accessories are a reticule, a poke bonnet, a medallion with a portrait and a handkerchief of cotton organza trimmed at the edges with a Dresden work.

The bib front dress made according to the extant dark green flowered gown dated to (Museum of London), but it is made of a softer fabric (cotton muslin) with different color.

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