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S XVII

194 Pins
 11w
Collection by
S Xvii, Informal Dress
Renaissance Mode, 1500s Fashion, S Xvi, Moda Retro
Pendant in the form of a mandolin, Germany, 1600, gold, enamel and precious stones; h 8.5 cm × w 4.6 cm. BK-17057. Rijksmuseum, Amsterdam. #SilverJewelryIsAGreatChoice Baroque Jewelry, Antique Gold Jewelry, Antique Pendant, Enamel Jewelry, Vintage Jewels, Silver Jewelry, Renaissance Jewelry, Medieval Jewelry, Ancient Jewelry
Pendant in the form of a mandolin, Germany, 1600, gold, enamel and precious stones; h 8.5 cm × w 4.6 cm. BK-17057. Rijksmuseum, Amsterdam. #SilverJewelryIsAGreatChoice
Hungarian dress (likely wedding dress) of cut-pile velvet with beading and embroidery, mid 17th century. Via the Museum of Applied Arts, Budapest Mode Vintage, Vintage Hats, Antique Dress, Antique Clothing
Hungarian dress (likely wedding dress) of cut-pile velvet with beading and embroidery, mid 17th century. Via the Museum of Applied Arts, Budapest
Melissa Harl
Melissa Harl
early 17th century top. the slashing of the sleeves was considered especially prestigious/wasteful/decadent: 18th Century
early 17th century top. the slashing of the sleeves was considered especially prestigious/wasteful/decadent:
Bodice 1630s The Victoria  Albert Museum 16th Century, Women's Bodice
Bodice 1630s The Victoria Albert Museum
Crinolines et Cie : Costumes 17ème Femme Renaissance Dresses, Steampunk Fashion, Baroque Aesthetic Fashion, Gothic Fashion
Crinolines et Cie : Costumes 17ème Femme
1600 dress - Cerca con Google 1800s Fashion, 19th Century Fashion, Club Fashion, Victorian Era, Fashion Outfits
1600 dress - Cerca con Google
Hose / Herrenkleid bestehend aus Wams und Hose 1604. Oberstoffe: italienisch. Schneiderarbeit: vermutlich Dresden, Kurfürstliche Schneiderei. Rüstkammer Inventarnummer i. 0015.02 Material und Technik Oberstoff weiß-silberner Lampas, goldbroschiert, lanciert mit farbiger Seide; wattiertes Steppfutter mit Leinenfutter naturfarben hell; Taftfutter weiß; Borte Gold- und Silbergespinst, gewebt, teils mit Noppenschuss; Schnürverschluss Goldgespinst. Clothing And Textile
Hose / Herrenkleid bestehend aus Wams und Hose 1604. Oberstoffe: italienisch. Schneiderarbeit: vermutlich Dresden, Kurfürstliche Schneiderei. Rüstkammer Inventarnummer i. 0015.02 Material und Technik Oberstoff weiß-silberner Lampas, goldbroschiert, lanciert mit farbiger Seide; wattiertes Steppfutter mit Leinenfutter naturfarben hell; Taftfutter weiß; Borte Gold- und Silbergespinst, gewebt, teils mit Noppenschuss; Schnürverschluss Goldgespinst.
Pfannenmann steht für die Werkstätten Ackermann & Pfannenberg Dresden - Figurinen Referenzen Galerie Costume Renaissance, Medieval Costume, Mens Garb
Pfannenmann steht für die Werkstätten Ackermann & Pfannenberg Dresden - Figurinen Referenzen Galerie
Embroidery! Historical Women, Tudor Dress, Costume Collection
Embroidery!
Doublet ca. 1630 From the Germanisches Nationalmuseum Landsknecht
Doublet ca. 1630 From the Germanisches Nationalmuseum
Doublet and breeches, 1630-1649, Victoria and Albert Museum no. 348-1905. Men's Clothing, Costume Shop
Doublet and breeches, 1630-1649, Victoria and Albert Museum no. 348-1905.
1629, probably tailored in Dresden with Italian silk. Grass green broccato, lining of linen and green silk satin. Hunting Dress, Century Dress
1629, probably tailored in Dresden with Italian silk. Grass green broccato, lining of linen and green silk satin.
Doublet and breeches, ca. 1625-35. Made of wool, trimmed with silk and lined with linen. This ensemble of plain wool serge, probably once black, now faded to brown, is a rare example of everyday men’s dress of the early 17th century. It is lined for warmth with a linen pile fabric, similar to modern towelling. The doublet openings are faced with shot silk, perhaps to deceive a casual observer that the whole garment was lined with a more luxurious fabric.
Doublet and breeches, ca. 1625-35. Made of wool, trimmed with silk and lined with linen. This ensemble of plain wool serge, probably once black, now faded to brown, is a rare example of everyday men’s dress of the early 17th century. It is lined for warmth with a linen pile fabric, similar to modern towelling. The doublet openings are faced with shot silk, perhaps to deceive a casual observer that the whole garment was lined with a more luxurious fabric.
Vestido usado por un cierto Lobkowicz Marketa de 1617 la actual República Checa o Polonia, Mikulov Museo Vintage Doll
Vestido usado por un cierto Lobkowicz Marketa de 1617 la actual República Checa o Polonia, Mikulov Museo
Embroidered black silk shoes,    English,  1780-1785. Marie Antoinette, 18th Century Clothing, 18th Century Fashion, Moda Fashion, Fashion Shoes, Fashion News, American Duchess Shoes, Vintage Shoes
Embroidered black silk shoes, English, 1780-1785.
VESTIDO DE SEDA BROCADA 1695-1700 Period Dress
VESTIDO DE SEDA BROCADA 1695-1700
MARIA JOSE SAEZ
MARIA JOSE SAEZ
Gimmel ring (1600-50). El mecanismo entre las manos se gira para su apertura... Qué maravilla. Jewelery, Jewelry Box, Jewelry Accessories, Jewelry Rings, Fine Jewelry, Jewelry Design, Modern Jewelry, Antique Jewelry
Gimmel ring (1600-50). El mecanismo entre las manos se gira para su apertura... Qué maravilla.
Pair of unfinished women's shoes, Italian, 1605–10, MFA Boston Women's Shoes, Old Shoes, Shoe Boots, Prom Shoes, Converse Shoes, Wedding Shoes, Shoes Sneakers, Jordan Shoes
Pair of unfinished women's shoes, Italian, 1605–10, MFA Boston
Doublet ca. 1580-1600 Fripperies and Fobs Elizabethan Fashion, Historical Clothing Patterns
Doublet ca. 1580-1600 Fripperies and Fobs